Tucked away in the heart of Palm Springs, California, the Elvis Honeymoon Hideaway is a time capsule of romance, luxury, and rock ‘n’ roll history. Known formally as the House of Tomorrow, this mid-century modern masterpiece became legendary when Elvis and Priscilla Presley spent their honeymoon here in 1967. Today, it stands as both a tribute to the King of Rock and an icon of mid-century design, drawing architecture enthusiasts and Elvis fans alike.

A Home Ahead of Its Time
Originally designed in 1960 by architect William Krisel for developer Robert Alexander, the home epitomizes the sleek, futuristic vision of the era. The House of Tomorrow was an architectural marvel, boasting an innovative circular layout, four interconnected pod-like structures, and floor-to-ceiling glass walls that seamlessly blended indoor and outdoor living. The 5,000-square-foot estate was a dream home for those who embraced modernism, offering panoramic views of the San Jacinto Mountains, luxurious terrazzo floors, and an open, flowing floor plan that felt ahead of its time.
Elvis and Priscilla’s Hideaway
In 1966, Look Magazine dubbed the house The House of Tomorrow due to its groundbreaking design, but a year later, it earned an even more iconic title: the Elvis Honeymoon Hideaway. Elvis leased the home in 1966 while filming Easy Come, Easy Go and planned to marry Priscilla there in a private ceremony. However, when the press caught wind of their plans, the couple had to make a last-minute escape to Las Vegas, where they tied the knot at the Aladdin Hotel on May 1, 1967.
After their whirlwind wedding, the Presleys returned to Palm Springs to spend their honeymoon in seclusion. The house, with its luxurious pool, sunken living room, and intimate nooks, provided the perfect backdrop for their first days as newlyweds. Elvis, ever the entertainer, was often seen playing guitar by the fireplace or gazing out at the sweeping desert landscape from the balcony.

Preserving an Icon
Over the decades, the Elvis Honeymoon Hideaway has changed hands multiple times but remains a carefully preserved tribute to both the King and mid-century modernism. The property retains its original architectural elements, and efforts have been made to restore its 1960s charm.
For years, the home was open for public tours, allowing fans to step inside the very rooms where Elvis and Priscilla once lived. While updated in some areas, the decor still reflects the glamour and cutting-edge design of the 1960s, from its curved rock walls to the futuristic floating hearth fireplace.
A Must-See for Mid-Century and Music Lovers
Whether you’re drawn to its architectural brilliance or its rock ‘n’ roll history, the Elvis Honeymoon Hideaway is a must-see for anyone visiting Palm Springs. The home represents a pivotal moment in both design and pop culture—where the space-age dreams of mid-century modernism met the electrifying presence of Elvis Presley.
While the estate's future remains uncertain, one thing is clear: the House of Tomorrow is forever tied to the past. It stands as a living monument to love, music, and the timeless appeal of mid-century design.

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